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each translate some kind of personally resonant pre-existing image: Morrens’ own older drawings
the front line or a border
The compositions themselves are quite unassuming
ceramic work
Dirk Zoete ‘The Big Convoy’ Books each translate some kind ofLook! Look, exclamation mark. This is the task encapsulated within Dirk Zoetes (b. 1969) ensemble of drawings entitled Scnes. They ask you to look and listen because, like theatre productions, the drawings speak. Except this is a theatre without words. In theatre, as in all good narratives, enough space must be left between the lines for people to be able to fill in their own interpretations. But look! is the message. Scnes plays within the gaps of
